| Acknowledgements | 第1-6页 |
| 中文摘要 | 第6-7页 |
| Abstract | 第7-9页 |
| Chapter 1 Introduction | 第9-15页 |
| ·Brief Review of Pound’s Contributions | 第9-10页 |
| ·The Framework of the Thesis | 第10-11页 |
| ·Literature Review | 第11-15页 |
| Chapter 2 An Introduction of Image and Imagism | 第15-21页 |
| ·“Image”in China | 第15-17页 |
| ·The Rise and Development of “Imagism” | 第17-19页 |
| ·Pound’s Connection to China | 第19-21页 |
| Chapter 3 Aesthetics of Chinese Classical Poetry and Pound’s Poetic Creation | 第21-37页 |
| ·“Image”in Chinese Classical Poetry and Pound’s Poetic Creation | 第21-29页 |
| ·“Image”in Chinese Classical Poetry and Pound’s Imagism | 第21-24页 |
| ·“Beauty of Image”in Pound’s Poetry | 第24-29页 |
| ·“Beauty of Rules and Forms”in Chinese classical poetry and Pound’s Poetic Creation | 第29-37页 |
| ·“Beauty of Concision”and Pound’s Poetic Creation | 第30-32页 |
| ·“Beauty of Rhythm”and Pound’s Poetic Creation | 第32-37页 |
| Chapter 4 Confucianism and Taoism in Pound’s Poetic Creation | 第37-55页 |
| ·Confucianism and Pound’s Poetic Creation | 第37-48页 |
| ·Confucian “Humanity”in The Cantos | 第37-41页 |
| ·Doctrine of the Mean in The Cantos | 第41-45页 |
| ·“Rectification of Heart, Self-cultivation, Family Harmony,State Governing, and World Peace”in The Cantos | 第45-48页 |
| ·Taoism and Pound’s Poetic Creation | 第48-55页 |
| ·Aesthetics of Taoism and Pound’s Poetic Creation | 第48-51页 |
| ·“Governing by Noninterference”in The Cantos | 第51-55页 |
| Chapter 5 Chinese Traditional Aesthetics and Pound’s Poetic Creation | 第55-61页 |
| ·Artistic Conception and Pound’s Poetic Creation | 第55-57页 |
| ·Calligraphy and Pound’s Poetic Creation | 第57-59页 |
| ·Landscape Painting and Pound’s Poetic Creation | 第59-61页 |
| Chapter 6 Conclusion | 第61-63页 |
| Bibliography | 第63-66页 |
| Publications during the Postgraduate Program | 第66页 |
