首页--文学论文

田纳西·威廉斯剧作中支配性男性气质的危机倾向

ACKNOWLEDGEMENTS第5-6页
Abstract第6-7页
摘要第8-10页
INTRODUCTION第10-19页
Chapter One THE HOMOSEXUAL'S SUBVERSION OF HEGEMONICMASCULINITY第19-30页
    1.1 Homophobia in American Culture and a Brief Introduction to Cat on the Hot Tin Roof第19-22页
    1.2 Brick the Drunkard—A Silent Challenger to Heterosexuality第22-27页
    1.3 Skipper's Death—An Unavoidable Tragedy in Homophobic Society第27-30页
Chapter Two THE WOMEN'S SUBVERSION OF HEGEMONICMASCULINITY第30-39页
    2.1 A Brief Introduction to Orpheus Descending and Feminism第30-32页
    2.2 Lady's Fight for the Control of Economy第32-35页
    2.3 Lady's Search for Her True Love第35-39页
Chapter Three THE FAILURE OF THE HEGEMONIC CHARACTER'SDEFENSE THROUGH VIOLENCE第39-50页
    3.1 A Brief Introduction to the Theory on Violence and A Streetcar Named Desire第39-41页
    3.2 Stanley's Hegemonic Position as a Husband第41-45页
    3.3 Stanley's Violent Defense as a King第45-50页
CONCLUSION第50-53页
WORKS CITED第53-57页

论文共57页,点击 下载论文
上一篇:《十月》与中国新时期以来的小说创作
下一篇:髌股疼痛综合征关节的适配性及其软骨损伤的相关性研究