| Acknowledgements | 第3-4页 |
| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第8-15页 |
| 1. Literature Review | 第8-11页 |
| 2. Research Method and Significance of the Research | 第11-13页 |
| 3. Thesis Statement and Content | 第13-15页 |
| Chapter 1 Ted Hughes's Reception of Traditional Chinese Culture | 第15-25页 |
| 1.1 Translations and Introductions of Taoist Teachings | 第15-19页 |
| 1.2 Interpersonal Communication | 第19-21页 |
| 1.3 Traditional Chinese Art and Literature | 第21-25页 |
| Chapter 2 Unity of Mind and Object in Hughes's Poetics | 第25-36页 |
| 2.1 Critique of Subject-Object Dualism | 第25-28页 |
| 2.2 Transcendence of Subject-Object Dualism | 第28-31页 |
| 2.3 Expressive Strategies in Poetic Practices | 第31-36页 |
| Chapter 3 An Animistic World of Decomposition and Renewal | 第36-49页 |
| 3.1 Binary Opposition between Culture and Nature | 第36-38页 |
| 3.2 Reconciliation between Culture and Nature | 第38-43页 |
| 3.3 Regeneration from Earth to Light | 第43-49页 |
| Chapter 4 Identification of Man with the Universe | 第49-62页 |
| 4.1 Interrelatedness of Inner and Outer Nature | 第50-53页 |
| 4.2 Identification with the Universe through "Fasting of Mind" | 第53-58页 |
| 4.3 Wandering through the World of Light | 第58-62页 |
| Conclusion | 第62-66页 |
| Works Cited | 第66-70页 |
| Appendix: Books about China in Ted Hughes's Private Library | 第70-72页 |
