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尤金·奥尼尔的创伤叙事解读

Acknowledgements第5-6页
摘要第6-8页
ABSTRACT第8-9页
Introduction第12-17页
Chapter One The Theory of Trauma and Eugene O'Neill's Traumatic Experience第17-27页
    1.1 The Theory of Trauma第17-22页
        1.1.1 Development of the Theory of Trauma第17-18页
        1.1.2 Symptoms of Trauma第18-19页
        1.1.3 The Process of Recovery第19-22页
    1.2 Eugene O'Neill's Traumatic Experiences第22-27页
        1.2.1 Childhood Traumas第22-24页
        1.2.2 Family Traumas第24-25页
        1.2.3 Social Traumas第25-27页
Chapter Two Eugene O'Neill's Traumatic Writing第27-36页
    2.1 Trauma of Family in Long Day's Journey into Night第27-29页
        2.1.1 Mary:the Prototype of O'Neill's Mother第27页
        2.1.2 The Fog:Shelter and Loneliness第27-29页
    2.2 Trauma of Race in The Emperor Jones第29-32页
        2.2.1 Jones:Two-dimensional Personality第30页
        2.2.2 Drums:Externalization of Inner Conflict第30-32页
    2.3 Trauma of Times in The Iceman Cometh第32-36页
        2.3.1 Patrons:the Lost Generation第33页
        2.3.2 Harry Hope's:A Microcosm of Society第33-36页
Chapter Three Therapies in Eugene O'Neill's Traumatic Writing第36-42页
    3.1 Mary's Perverse Response to Trauma第36-37页
        3.1.1 Imagining and Taking Drugs第36页
        3.1.2 Mary's Self-searching for the Happiness of Family第36-37页
    3.2 Jones' Evasive Response to Trauma第37-39页
        3.2.1 Escaping and Enslaving Others第37-38页
        3.2.2 Jones' Self-searching in the Journey of Life第38-39页
    3.3 Patrons' Passive Response to Trauma第39-42页
        3.3.1 Drinking and Making Daydreams第39-40页
        3.3.2 Patrons' Self-searching for Tomorrow第40-42页
Conclusion第42-45页
References第45-48页
作者简历及攻读硕士/博士学位期间取得的研究成果第48-50页
学位论文数据集第50页

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