| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-9页 |
| Contents | 第9-10页 |
| Chapter One Introduction | 第10-20页 |
| ·Abrief introduction to Walker's literary achievements and The Color Purple | 第10-11页 |
| ·Literature review | 第11-15页 |
| ·Central argument,major viewpoints,and research method | 第15-19页 |
| ·Framework of the thesis | 第19-20页 |
| Chapter Two Womanism Reflected in the Female Voices in The Color Purple | 第20-39页 |
| ·Voice of Celie:against sexism and for self-liberation | 第21-29页 |
| ·From silence to speech | 第21-25页 |
| ·The use of epistolary to emphasize the power of voice | 第25-29页 |
| ·Voice of singing:for self-esteem and self-identity | 第29-35页 |
| ·Shug's singing | 第30-33页 |
| ·Squeak's singing | 第33-35页 |
| ·Sofia's temporary aphasis:imposed silence under racism and sexism | 第35-39页 |
| Chapter Three The Communication between Two Sexes after Women GettingTheir Voices | 第39-47页 |
| ·The relationship between voices and communication | 第40页 |
| ·The power of communication between two sexes | 第40-47页 |
| ·The evolution of the relationship between Celie and Albert | 第41-43页 |
| ·The evolution of the relationship between Sofia and Harpo | 第43-47页 |
| Chapter Four Conclusion | 第47-49页 |
| Works Cited | 第49-53页 |
| Publications | 第53页 |
