| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-16页 |
| Ⅰ. The Christian Bible as an Intertext to Three Plays | 第16-30页 |
| ·The Unreliable “God” in Waiting for Godot | 第17-22页 |
| ·The Hopeless “Noah of Ark” in Endgame | 第22-25页 |
| ·The Horrible “Curse of Adam and Eve” in Happy Days | 第25-30页 |
| Ⅱ. Allusion to the Myth of Sisyphus in Three Plays | 第30-46页 |
| ·The Circular Form of Three Plays as a Reminder to the Myth | 第31-35页 |
| ·Sisyphusean Heroes in Three Plays | 第35-46页 |
| Ⅲ. Reappearance of “Pseudocouples” in Three Plays | 第46-64页 |
| ·Peer Couples: Vladimir/Estragon with Other Couples | 第47-51页 |
| ·Master-and-Servant Couples: Hamm/Clov with Pozzo/Lucky | 第51-57页 |
| ·Husband-and-Wife Couples: Winnie/Willie with Nell/Nagg | 第57-64页 |
| Conclusion | 第64-68页 |
| Works Cited | 第68-72页 |
| Appendix A | 第72-74页 |
| Appendix B | 第74-76页 |
