| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-15页 |
| Chapter One The Formation of the Unconscious | 第15-32页 |
| ·The Moral Censorship of the Victorian Age | 第18-21页 |
| ·Attitudes toward Sexuality: the Absence of Masculinity | 第21-28页 |
| ·Attitudes toward Art: The obsession the “papers” | 第28-32页 |
| Chapter Two The Disguise of the Unconscious | 第32-57页 |
| ·The Sublimation through the Artistic Representation | 第35-45页 |
| ·The Displacement of the Ambivalent Sexuality | 第45-57页 |
| ·The “Papers” as the Relic of Love | 第48-52页 |
| ·The “Papers” as a Failed Trade for Marriage | 第52-57页 |
| Chapter Three The Fulfillment of the Unconscious | 第57-70页 |
| ·.The Fulfillment of Guilt Purification: the Unobtainable “Papers” | 第59-64页 |
| ·The Moral Subterfuge: The Preserving “Picture” | 第64-70页 |
| Conclusion | 第70-75页 |
| Endnotes | 第75-77页 |
| Works Cited | 第77-82页 |
