| ABSTRACT | 第5-6页 |
| 摘要 | 第7-13页 |
| CHAPTER ONE INTRODUCTION | 第13-22页 |
| 1.1 The Existing Conditions of Women | 第13-14页 |
| 1.2 Jane Campion as a Female Director | 第14-16页 |
| 1.3 A Brief Review of Relevant Literature | 第16-18页 |
| 1.4 Theoretical Framework | 第18-20页 |
| 1.5 Research Procedures and Thesis Statement | 第20-22页 |
| CHAPTER TWO WOMAN’S CLAIM FOR SUBJECTIVITY AND SEXUALIITY | 第22-38页 |
| 2.1 The Background of The Piano | 第22-23页 |
| 2.2 Woman’s Search for Subjectivity | 第23-29页 |
| 2.2.1 Ada as the “Other” | 第23-25页 |
| 2.2.2 Ada’s Way to Subjectivity | 第25-29页 |
| 2.3 Woman’s Claim for Sexuality | 第29-38页 |
| 2.3.1 The Overlooked and Repressed Female Desire | 第29-31页 |
| 2.3.2 The Awakening of Female Desire | 第31-33页 |
| 2.3.3 The Power of Female Gaze and Desire | 第33-38页 |
| CHAPTER THREE WOMAN’S CLAIM FOR ECONOMIC INDEPENDENCE | 第38-51页 |
| 3.1 The Background of Bright Star | 第38-39页 |
| 3.2 Woman’s Pursuit of Economic Independence | 第39-43页 |
| 3.2.1 Economic Distribution between Men and Women | 第39-41页 |
| 3.2.2 The Necessity for Women to Gain Economic Control | 第41-43页 |
| 3.3 Fanny’s Pursuit of Economic Freedom | 第43-51页 |
| 3.3.1 Fanny’s Fight against Patriarchy Society | 第43-46页 |
| 3.3.2 Fanny--an Economically Independent Women | 第46-51页 |
| CHAPTER FOUR A HARMONIOUS CO-EXISTENCE BETWEEN MEN AND WOMEN | 第51-57页 |
| 4.1 The Reversed Male-Female Gender Type | 第51-53页 |
| 4.2 Peaceful Coexistence of the Two Sexes | 第53-57页 |
| CHAPTER FIVE CONCLUSION | 第57-61页 |
| WORKS CITED | 第61-63页 |
| ACKNOWLEDGEMENTS | 第63页 |
