| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Chapter 1 Introduction | 第10-16页 |
| 1.1 Research background | 第10-13页 |
| 1.2 Research questions | 第13页 |
| 1.3 Research objectives and significance | 第13-14页 |
| 1.4 Research structure | 第14-16页 |
| Chapter 2 Literature Review | 第16-28页 |
| 2.1 Critic review on Toni Morrison and her works at home and abroad | 第16-24页 |
| 2.1.1 International studies on Toni Morrison and her works | 第16-20页 |
| 2.1.2 Domestic studies on Toni Morrison and her works | 第20-24页 |
| 2.2 Critic review on Home at home and abroad | 第24-28页 |
| 2.2.1 International studies on Home | 第25页 |
| 2.2.2 Domestic studies on Home | 第25-28页 |
| Chapter 3 Theoretical Foundation | 第28-36页 |
| 3.1 The development of spatial narrative | 第28-32页 |
| 3.2 Spatial narrative theory of Gabriel Zoran | 第32-36页 |
| Chapter 4 The Topographical Space Existed in the North and in the South | 第36-46页 |
| 4.1 Places in the North: losing self-identity | 第37-40页 |
| 4.1.1 Korea | 第37-38页 |
| 4.1.2 Fort Lawton | 第38-40页 |
| 4.2 Places in the South: final redemption | 第40-46页 |
| 4.2.1 Atlanta: the beginning of redemption | 第40-41页 |
| 4.2.2 Lotus: final redemption | 第41-46页 |
| Chapter 5 The Chronotopic Space Reflected in Character’s Motional Status | 第46-56页 |
| 5.1 The synchronic relation: motion and rest | 第46-52页 |
| 5.1.1 Frank | 第47-49页 |
| 5.1.2 Cee | 第49-50页 |
| 5.1.3 Lenore | 第50-52页 |
| 5.2 The diachronic relation: directions, axes and powers | 第52-56页 |
| Chapter 6 The Textual Space Manifested in Home | 第56-70页 |
| 6.1 The selectivity of language | 第56-59页 |
| 6.2 The non-linear narrative | 第59-61页 |
| 6.3 The multiple narrative perspectives | 第61-70页 |
| 6.3.1 The third-person omniscient perspective | 第64-66页 |
| 6.3.2 The first-person point of view | 第66-70页 |
| Chapter 7 Conclusion | 第70-74页 |
| 7.1 Main findings | 第70-73页 |
| 7.2 Limitations of the present study | 第73-74页 |
| References | 第74-80页 |
| Acknowledgements | 第80页 |
