| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-11页 |
| CHAPTER ONE INTRODUCTION | 第11-22页 |
| 1.1 Ruthanne Lum McCunn and Wooden Fish Songs | 第11-13页 |
| 1.2 The Study on Ruthanne Lum McCunn and Wooden Fish Songs | 第13-18页 |
| 1.3 Theoretical Perspective and Organization of the Thesis | 第18-22页 |
| CHAPTER TWO GIM GONG: UNFILIAL SON EXCLUDEDBY MOTHERLAND | 第22-33页 |
| 2.1 Panopticon and Filial Piety in Traditional China | 第22-24页 |
| 2.2 His Impotence in the Inheritance of Family Line | 第24-26页 |
| 2.3 His Desertion and Ignorance of Hometown | 第26-29页 |
| 2.4 His Closeness to the Powerful White | 第29-33页 |
| CHAPTER THREE LUE: CHINESE DIASPORAER REPULSED BYAMERICA EMPIRE | 第33-46页 |
| 3.1 Docile Body and Repulsed Chinese Laborers in America | 第33-34页 |
| 3.2 Exclusive Spatial Distribution | 第34-36页 |
| 3.3 Utilization of Physical Capacity and Accumulation of Time | 第36-40页 |
| 3.4 Combinatory Force of Culture and Politics | 第40-46页 |
| CHAPTER FOUR CULTURAL HYBRIDIZATION IN AGLOBALIZED PROCESS | 第46-60页 |
| 4.1 The Third Space in Multiculturalism | 第46-47页 |
| 4.2 African Americans: a Mirror of Cultural Hybridization | 第47-52页 |
| 4.3 Lue Gim Gong: a Cultural Hybridity | 第52-60页 |
| 4.3.1 Endeavor for a Mixed Marriage | 第52-56页 |
| 4.3.2 Lue Gim Gong Orange: the Fruit of Cultural Hybridity | 第56-60页 |
| CHAPTER FIVE CONCLUSION | 第60-62页 |
| WORKS CITED | 第62-64页 |
