| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-9页 |
| Chapter One INTRODUCTION | 第9-22页 |
| ·Margaret Atwood and Her Literary Career | 第9-10页 |
| ·Literature Review of Surfacing, Alias Grace and The Handmaid’s Tale | 第10-16页 |
| ·Theory of Parody | 第16-21页 |
| ·The Layout of the Thesis | 第21-22页 |
| Chapter Two SURFACING: PARODY OF GOTHIC NOVEL | 第22-34页 |
| ·Parody of Gothic Novel in Surfacing | 第23-30页 |
| ·Characterization | 第23-26页 |
| ·Settings | 第26-29页 |
| ·Open Ending | 第29-30页 |
| ·Significance of Parody in Surfacing | 第30-34页 |
| Chapter Three THE HANDMAID’S TALE: PARODY OF DYSTOPIAN NOVEL .. | 第34-45页 |
| ·Parody of Dystopian Novel in The Handmaid’s Tale | 第35-41页 |
| ·A Female Narrator | 第36-39页 |
| ·Alternation between the Past and Present | 第39-41页 |
| ·Significance of Parody in The Handmaid’s Tale | 第41-45页 |
| Chapter Four ALIAS GRACE: PARODY OF TRADITIONAL HISTORICAL NOVEL | 第45-63页 |
| ·Parody of Traditional Historical Novel in Alias Grace | 第45-60页 |
| ·Multiple Narrative Perspectives | 第46-50页 |
| ·A Marginalized Female Capable of Resistance | 第50-60页 |
| ·Significance of Parody in Alias Grace | 第60-63页 |
| Chapter Five CONCLUSION | 第63-67页 |
| Bibliography | 第67-71页 |
