| 中文摘要 | 第1-4页 |
| ABSTRACT | 第4-7页 |
| Chapter One Introduction | 第7-17页 |
| ·The Harlem Renaissance | 第7-8页 |
| ·A Controversial Figure: Zora Neale Hurston | 第8-11页 |
| ·An Introduction to Their Eyes Were Watching God | 第11-13页 |
| ·Literature Review | 第13-15页 |
| ·Structure of the Dissertation | 第15-17页 |
| Chapter Two Theory Basis—Black Feminism | 第17-20页 |
| Chapter Three Intersections of Race and Gender in Janie’s Story | 第20-34页 |
| ·Race and Gender Playing Central Role in Interpretation of Janie’s Story | 第20-23页 |
| ·A Husband Distorted by False Ideologies of Race and Gender—Joe Starks | 第23-26页 |
| ·A Husband Poisoned by False Ideologies of Race and Gender—Tea Cake | 第26-34页 |
| Chapter Four Hurston’s Artistic Transgressions of Race and Gender | 第34-45页 |
| ·Extraordinary Structure | 第34-35页 |
| ·Multi-vocal Narrative Voice | 第35-39页 |
| ·Profound Symbols | 第39-45页 |
| ·Mule—double oppression | 第39-41页 |
| ·Pear tree—double expectation | 第41-42页 |
| ·Storm—double use | 第42-45页 |
| Chapter Five Conclusion | 第45-47页 |
| Acknowledgements | 第47-48页 |
| References | 第48-51页 |
| 附录 | 第51页 |
